This blog is moving!

This blog has moved over to Wordpress. Please look for me there. I'll still be sharing the same great tips on writing and books.

Writing Tips: How Daily Practice Builds Your Writing Habit

These days, more than a few websites and blogs and social media posts offer you advice on how to finish your novel, easy hacks to getting published, ways to get inspired. And all of that advice can add up to success or to failure depending on how you implement it and what actually works for you.

But if there's one thing I'm certain on, no matter what other advice you receive, know this: Writers Write.

The only way to be a writer is to write. Consistently. Not just that one time, not just someday when you have time. Sit down and write. Fifteen minutes. Right now. Go on. I'll wait.

If you need, you can find a writing prompt somewhere out there on the internet. Or just pick an object on your desk and spend 500 words describing it (ouch... that's such a painful exercise if you've never tried it).

Now, not everyone can write every day consistently, because ... LIFE! But you can surely find two weeks to a month to set yourself a challenge of writing every day and here's why it's a good idea. If you write for fifteen minutes a day for 14-30 days, you will certainly begin building your writing habit. You'll get used to sitting down and cranking out the words for fifteen minutes or whatever your set goal is. You'll begin forming muscle memory and rewiring those synapses from their resistant, at-rest state to a state of readiness and ability.

Writing a little every day will give you the confidence that you CAN sit down and write whenever you want to. And then when your temporary challenge is up you'll be able to set yourself realistic goals. Maybe in real life you only write a few times a week for longer periods. Or maybe five days a week instead of seven. Whatever works for you works for you, as long as you're still writing! As long as you don't let the time slip by you and allow your brain to go back to that state of rest where it's hard to get motivated again.

Writers write. The more you write, the more you will find you are able to write. The more you write, the stronger your ability will become. So sit down and write. Write write write! You'll never be sorry that you tried.

Review: This Raging Light

This Raging Light by Estelle Laure
My rating: 4 of 5 stars

Lucille's mom skipped out on her and her kid sister, and her dad disappeared after a nervous breakdown months earlier, throwing Lucille's normal seventeen-year-old life into chaos.

I feel very privileged to have read an arc of this book before publication. Like I've been let in on some awesome secret. Estelle Laure hit the feels spot pretty early on in this book and I loved her characters the rest of the way through. Fiercely. Like, if things weren't working out I was going to come in there and help make sure they were ok.

My only problem is, I felt like the world was too idealistic. I know horrible things happen, and no seventeen-year-old should be left to be parent to her kid sister, much less have to deal with the financial strain of keeping a roof over their heads. But the kindness of relative strangers makes me skeptical. I would wish for a world in which this kind of generosity exists, but I don't know that I believe in it.

In fiction, in the context of reading the story, we should be willing and able to suspend our disbelief to take in what happens as inevitable. Of course people step in to help. It's the only possible way that this story could turn out without being utterly heart-wrenching. Except that I didn't get there. I still expected the "man" to step in. And when that didn't happen, I thought "well that's a nice story..." It's not that I want characters (or RL people!) to suffer. It's just that suffering is inevitable. And when fiction conveniently sidesteps it, or dials it back from the worst that could happen, I (and lots of other readers) notice.

Laure's style, the voice of Lucille in this book, was raw and consuming. I felt the feels and I thought the thoughts that were in her head, the head of a seventeen-year-old. More than once I wanted to write down passages so I could read them over again, they were so delicious.

In all, This Raging Light is a well-crafted read that I would recommend to others.



View all my reviews

Writing Tips: 3 ways to fight writer's block

Writer's block. The old foe of creative minds everywhere. Standing in the way of completed manuscripts since... well since people began writing, probably!

If you've ever felt writer's block, you know it's a horrible experience. There you are, chugging along on your manuscript when suddenly you freeze. You can't think of what to write next. Maybe you perceive a problem or plot hole and you can't think of a way around it. Maybe you woke up, sat down to write, and no words came.

I've been there. And I still end up there regularly. Usually it's because I'm afraid of messing up my project, and I want to get it right. Well, newsflash, self. I can't get it right all the time. And first drafts are supposed to be messy.

Still, just telling yourself to buck up doesn't always get the words flowing. So what can you do instead?

Three ways to fight writers block

1. Write something else for a while
   Walk away from the manuscript for a little while. Write a blog post. Or work on a different project for a few hours/days. Give yourself some time away and then come back and see if you have any new perspective or ideas.
2. Pick a writing prompt
   The other week I had been dealing with the stress and frustration of writer's block with a current project. So I went to a prompt generator site (two of my favorites are Writer Igniter and Seventh Sanctum) and picked a prompt that would lead me into writing about my characters again. I probably won't use much from that writing session, but the point is to grease the wheels, to get the fingers flying across the keys again, and to get your brain back into that world and thinking about those characters again.
3. Do something completely different
   Occasionally it makes sense to put down the pen or walk away from the keyboard altogether for a short time. Try painting, or take a long walk. Give your brain time to be creative in a different way so that whatever problem you're working through in the manuscript has time to marinate. You'll come back to the page with a better perspective and more ideas.

No matter what you have to remember to do what works for you. And when it stops working, try something different. Writer's block is not a "forever disease." So give yourself time and space to work out the puzzle that has presented itself. You'll be pleased with the results when you finally get back to it.

7 Reasons You Should Attend a Writing Conference

My favorite conference to date

I'm gonna start this week with a fun post. Writing conferences may not directly relate to the nuts and bolts of your writing practice, although frankly they should!

If you've been toying with the idea but you've never actually made the leap to attend a writing conference, I want to give you seven reasons why you should seriously stop stalling and attend a writing conference.

Seven reasons you should attend a writing conference

1. The People
   Seriously. The people are the best thing about a writing conference. We writers can tend to get isolated. Writing is a solitary practice and it can leave you feeling cut off from the rest of the world. A good writing conference will reconnect you with all the other wonderful, weird people like you! Trust me on this.
2. The Confidence Boost
   Part of connecting with other writers at conferences is that you'll recognize that there are plenty of other people who are struggling with the same problems that you are. Others have actually found a way to beat those problems! And they're there to cheer you on and help you get the most out of your writing. You'll leave feeling much better about yourself.
3. The Ideas!
   Oh, the ideas! What happens when you put a bunch of creative people in a room together? The creative sparks do fly. Just five minutes brainstorming with other writers and you'll come away with more story or post ideas than you could ever have time to write.
4. The People
   Did I mention the people? Because... connections! You'll expand your platform and your professional network like crazy if you take the time to talk to people, develop relationships with them, and geek out over the same things. Totally worth it.
5. The Experience
   Depending on the type of conference you attend, the panels and/or critique sessions will really boost your knowledge and experience in the publishing world. And let's face it, that plus your professional network are the two most important and valuable things you'll get out of attending a writing conference.
6. The Motivation
   Not to mention the amount of ass kicking you'll get when it comes to completing, submitting, and publishing your writing. If you have confidence issues (no one will like my writing) or procrastination issues (I'll finish that WIP later) you're bound to find a group of writing friends at a conference who are willing to push you to get your writing out into the world.
7. The People
   Seriously, the people you meet at writing conferences are amazing. If you take the time to research the events and find your perfect conference you will most certainly find your tribe, those particularly weird and unique writers who geek out over the same awesome stuff you love and who will be your cheerleaders for life

All of these reasons add up to why your writing practice can only benefit from attending a writing conference.

We'll talk about the types of writing conferences in another post (Utopia Con is my favorite), but just know that there are plenty of options out there, so you're bound to find one that fits your particular personality, writing needs, and genre preference.

Sign up for my email list to keep up with the conferences I'll be attending next year! Maybe we'll meet face to face at one of them!

In Defense of Prologues

A long time ago in a galaxy far far away... you know the line. But let's all admit it. We've read our share of bad prologues. Especially in sci-fi and fantasy, prologues get abused -- a lot. Show of hands: How many of you skip prologues without actually reading them? I thought so.

And it seems the publishing industry is over prologues. Most agents and editors nowadays will tell you to cut that prologue right out of your WIP. Or worse, they won't even look at a manuscript if it has a prologue.

Still, just because prologues get abused and overused so much, doesn't mean they're worthless. Before I get to defending them, though, let's go over a couple of things a prologue is NOT.

A prologue is not...

• a place to store irrelevant back story and force it on your readers.
• a scene that happens in the same time/place as your story (usually)
• written from the main POV of your story (also, usually)

In most cases, novels don't need prologues. The information they contain can usually be dispersed throughout the first chapter without breaking the flow of the narrative.

But occasionally prologues are the perfect place to showcase a piece of necessary information, or a voice that would otherwise not be included. The prologue to Patrick Rothfuss's The Name of the Wind, for example, gives us a wider, more omniscient view of the character Kote. Without spilling all the beans at once Rothfuss sets the tone for the novel and for how we should view his main character, a detail that is very important to the telling of the story. 

Star Wars is the perfect example of a prologue being put to good use. At the time that the movies released, science fiction was a relatively unfamiliar genre for the general public. The prologue, therefore, was crucial in setting the overall tone, outlining the basic rules of the universe, and orienting people with the main conflicts that the characters will face.

When well done, a prologue draws us into the story. It cracks the lid on all the juicy awesomeness that's yet to come, calls to our curiosity, and whets our appetites for adventure.

Writing Tips: 3 Reasons NOT to Begin Your Novel With a Dream or a Flashback

Figuring out where to start your novel can be difficult. Where your readers enter the story, what they see, who they meet, will color the way they view the rest of the novel. The first few pages are where the reader gets their footing and learns just what the story is all about, where it's going to take them, whether or not they should trust the voice that is taking them through this foreign story land.

Sometimes, when you're not sure just how you should start your novel, it can seem like a good idea to start with a dream or a flashback, your character remembering something that happened before the reader came along, or something that never happened at all. There are 3 reasons not to do this.

1. The Confusion Factor
   In the first five pages of the novel, you should be setting up your reader's expectations of the character and world that they're going to be sharing with you for the next 200 pages. If you then suddenly shout "just kidding!" and change everything that they know or thought the novel was going to be about, you risk at worst losing their interest, and at least confusing them. 
2. It's been done (and done and done and done)
   You want your story to stand out in your reader's mind. You want to grab people's attention and hold it. If you resort to this trick that everyone else has tried, how well are people going to remember your book in the midst of all the others? Be worth remembering. It may take a little more work, but it's worth it!
3. If it's a flashback, why didn't you just start there in the first place?
   If you absolutely have to start us in the "past" and then jump forward, ask yourself why? Why didn't you just start us there in the first place? For a flashback to work at the very beginning of a novel, the event you're taking us back to must be pretty earth-shattering for your character, but then not matter at all until the current time. The fall of Voldemort and Harry's arrival at the Dursleys' home were both HUGE to the plot of Harry Potter. So J.K. Rowling, instead of having a character remember those moments later, plunked the reader down right there in the moment. She started with a deeply significant event and showed it to her readers, and by doing so, those events had more impact.

Finally, you can choose to do a flashback or a dream at the beginning. If it's right for your book, it's right for your book. But you've gotta wow us with it. Make it a flashback or dream to remember!